a5c7b9f00b The Bride woke up after a long coma. The baby that she carried before the coma was gone. The only thing on her mind was to get revenge on the assassination team that betrayed her - a team she was once part of. With two of the people on her Death List taken care of, she must pursue Budd, Elle Driver and of course Bill himself. But she is in for a surprise…
Beatrix Kiddo a.k.a The Bride is a female assassin, a trained killer who was betrayed by the Deadly Viper Assassination Squad, led by her former boss Bill who gunned her down on her wedding day leaving her for dead. The Bride awoke four years later and set out to get her vengeance on Bill and the Deadly Viper Assassination Squad who betrayed her. Helped by one of Bill's former tutors, retired sword maker Hattori Hanzo, The Bride begun her quest for vengeance and she killed Vernita Green and O'Ren Ishii. Continuing her quest for vengeance, The Bride sets out to get her vengeance on Bill's younger brother Budd who is now a bouncer at a strip club and Elle Driver, The Bride's one-eyed nemesis and Bill himself, unaware Bill has her daughter B.B in his custody, who she thought died while she was in her coma. Will The Bride succeed and get her vengeance and will she kill Bill?
*LOTS OF SPOILERS AHEAD* Kill Bill Vol. 2 can either be regardedingenious for the way it does the opposite of the viewer's expectations or it can be considered mediocre-bad because it doesn't deliver anythingsatisfyingthe first film.<br/><br/>Kill Bill Vol. 2 is interesting in the fact that it has only ONE true action sequence, wherethe rest of the movie is literally either flashbacks or dialogue. Yes. It is one of THOSE movies. This is where this movie's biggest problems start to show and it becomes obvious that these movies were meant to be shownone movie and not to. Vol. 2,a standalone film, is pretty boring and uninteresting because it is filled with flashbacks and subplots. It is really peculiar how many mini subplots are fit into this movie that really take away from what the main appeal of the first movie was. While the first movie dedicated 30 minutes or so into one action sequence (and about 10-15 minutes building up to it) this movie is mostly dialogue with one action sequence that lasts only a couple of minutes. Now this could work if the first movie wasn't a fast-paced martial arts movie, but it was… so you have Vol. 1 which is cheesy yet action-packed and then you have Vol. 2 which is mostly dialogue. Does this work?<br/><br/>What most people will say is that this works because you usually want a more serious tone for a climax and you want to dive more into your character and their back-story before you finish the movie. However, with this movie, that doesn't work because of a couple of reasons, but mostly one: 1) The dialogue isn't interesting 2) Bill isn't an interesting Villain. In the first movie we were lead to believe that Bill was going to be this intimidating villain with a lot of presence, but once we actually see him he starts to come offa genuinely nice guy who is also a murderer. While this concept could work, the issue is that he still needs to have a presence on screen. Bill doesn't. There is nothing about him that is either intimidating, threatening, interesting, or overly unique. He is just plain. Him being plain may have been what Tarantino was going for, but it makes someone we do not care about. Do I care about Bill if he dies? No. Do I care if Bill is sad? No. Do I care if Bill is happy? No. So why should I care about hima villain if he isn't interesting?<br/><br/>This mixed with very mediocre dialogue makes the final 30 minutes of the movie obnoxious. I loved Pulp Fiction and I am all for complex dialogue exchanges, but this finale simply doesn't give any interesting dialogue. A climax where rivals talk can work only if what they are saying is genuinely interesting or clever. Here, it isn't. So basically while the last 30 minutes of the last movie is all action, the last 30 minutes of this movie has an uninteresting villain who talks about uninteresting things for 30 minutes. Sounds like fun? It isn't.<br/><br/>I respect this movie for what it was trying to do, but I don't think it pulled it off well… at all. I think instead of the ending being a clever twist, it was more of a slap in the face. The fact that the movie tries to say that The Bride and someone old enough to be her father were in love is not only slightly unsettling, but it kind messes up the entire motivation of the story. If they really were in love and she did run away then she would've had to expect something. It kind of takes away the entire significance of her being… A BRIDE. The point was that she lost so much on her wedding rehearsal and that she is getting revenge for that. But when you realize she didn't really love the groom and didn't really care for any of the people that were murdered… it kind of breaks the entire motivation of the series. Basically, she SHOULD'VE known this was going to happen because in this movie it almost seems logical that her wedding rehearsal was logical. She literally runs away from her lover and gets married to some dude almost immediately (whom she doesn't really care for) and yet she doesn't expect her lover to get mad? <br/><br/>Lastly, the camera work in this movie is half that of the first movie. The first movie had beautiful cinematography, but this movie just feels standard. There are no open-top-set-shots, no crazy foot shots, and nothing much of notefarcamera work goes. Pretty standard.<br/><br/>All in all, Kill Bill Vol. 2 is good, but it isn't incredibly good. It takes away a lot of the charm of the first movie and replaces it with very uninteresting dialogue.
Well, I didn't much like the first one, finding it vulgar and tasteless, so one can't really be surprised that I didn't like the second one. To be fair, however,<br/><br/>Tarantino has made a fair go at adding story and character to his revenge saga, but it's ultimately to little effect. He performs any number of post-modern stylistic pirouettes, sly cultural references, witty asides and cinematic homages, but the end result - for this reviewer at least - was to shrug and say: "So what?"
Originally conceivedone film, the two-parter that has finally emerged can now be seena truly epic work.
The Bride approaches the door of the wedding chapel; finds Bill.<br/><br/>"Do I Look Pretty?" - Robert Rodriguez:
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